Screen Daily ~ Asian Film Finance 2008 – Asia opens up

“It is estimated the majority of South Korea’s film-making workforce are currently either unemployed or working in related sectors such as TV or advertising.”

“In Singapore we’re developing media from the economic benefits perspective, but also to promote cultural diversity – a two-pronged initiative.”

“Hong Kong has always been more focused on the commercial aspect of film-making.”

“In Thailand […] international film-makers have benefited from low costs and experienced crews for decades”

“Thailand is already competitive in terms of logistics and costs.”

“the Japanese market remains insular as local producers can recoup at home and there is little interest in attracting offshore production.”

“Due to its proactive government and transparent banking and legal infrastructure, Singapore is fast emerging as Asia’s leading film-financing hub.”

“throwing funds at the industry isn’t the best way to grow it.”

Screen Daily ~ Asian Film Finance 2008 – Asia opens up (01.10.2009)

About the author

Woitek Konzal

Producer, Consultant, Lecturer & Researcher. I love working where technology meets media in novel ways. Once, I even won an Emmy for digital innovation doing that. Be it for a small but exciting campaign about underground electronic music collectives or for a monster project combining two movies, various 360° videos, 72 ARG-like mini puzzles, and a Unity game, all wrapped up in one cross-platform app – I have proven my ability to adapt to what is required. This passion for novel technologies has regularly allowed me to cross paths with tech startups – an industry and philosophy I am all set to engage with more. I intensely enjoy balancing out my practical work with academic research, teaching, and consulting. Also, I have a PhD in Creative Industries, a M.Sc. in Business Administration, and love to kitesurf.

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