“Outside of Korea […] film funds have had a few false starts across the rest of Asia.”

“Although Asia is extremely prolific, there is still a lack of emphasis on development, which leads to the film funds’ biggest problem. Although they aim to facilitate slate financing, slates have been in short supply.”

“”It’s important the people involved are strong in distribution because it’s no longer good enough to make a good film – it’s all about the opening weekend,” says Shi.” (Shi is Japanese?)

“…the booming South Asian film industry is also shifting its focus towards slate financing and long-term strategic thinking.”

Screen Daily